Spelled Heptachords

DOI10.1007/978-3-642-21590-2_7zbMath1335.00122OpenAlexW4213250048MaRDI QIDQ3009792

Julian L. Hook

Publication date: 24 June 2011

Published in: Mathematics and Computation in Music (Search for Journal in Brave)

Full work available at URL: https://doi.org/10.1007/978-3-642-21590-2_7

zbMATH Keywords

pitch-class set theorypitch spellingchromaticismdiatonic set theoryheptachords

Mathematics Subject Classification ID

Mathematics and music (00A65)

Related Items (9)

Toward the reconciliation of mathematical theories of voice leading ⋮ Geometry and the quest for theoretical generality ⋮ Tonal prisms: iterated quantization in chromatic tonality and Ravel's ‘Ondine’ ⋮ A space for inflections: following up onJMM’s special issue on mathematical theories of voice leading ⋮ Parsimonious graphs for selected heptatonic and pentatonic scales ⋮ Harmonic qualities in Debussy's “Les sons et les parfums tournent dans l'air du soir” ⋮ Group actions, power mean orbit size, and musical scales ⋮ Why topology? ⋮ GeneralizedTonnetzeandZeitnetze, and the topology of music concepts

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