Symbolic structures in music theory and composition, binary keyboards, and the Thue–Morse shift
From MaRDI portal
Publication:5027228
DOI10.1080/17459737.2020.1732490zbMath1495.00020OpenAlexW3012200926MaRDI QIDQ5027228
Publication date: 4 February 2022
Published in: Journal of Mathematics and Music (Search for Journal in Brave)
Full work available at URL: https://doi.org/10.1080/17459737.2020.1732490
symbolic dynamicsThue-Morse sequencesubstitution dynamicsmusical scalesmusical compositionbinary keyboardsThue-Morse dynamical system
Related Items
Uses Software
Cites Work
- Unnamed Item
- Unnamed Item
- Fractal analysis of songs: performer's preference
- Multifractal analyses of music sequences
- Musical Composition and Gestural Diagrams
- Mathematics and Music
- Automata and music contour functions
- Cellular Automata and Groups
- Algorithmic Composition
- Automatic Sequences
- The on-line encyclopedia of integer sequences
- Notes and note pairs in Nørgård's infinity series
- An Introduction to Symbolic Dynamics and Coding
- An algebra for periodic rhythms and scales
- A dynamical approach to music analysis
- Music and combinatorics on words: a historical survey
- Naming and ordering the modes, in light of combinatorics on words
- Variety and multiplicity for partitioned factors in Christoffel and Sturmian words
- Kaleidoscope substitutions and pairwise well-formed modes: major-minor duality transformationally revisited
- Combinatorics of words and morphisms in some pieces of Tom Johnson
- Marcel Frémiot, determinism versus chaos, and the tower of Hanoi